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Trigger Happy, 60” X 72”, 2011, acrylic on canvas … Mon travail est une expression de cette nature dialectique de la culture. Les récents travaux se compose de peintures à grande échelle qui utilisent la langue vernaculaire de la culture pop fantaisiste dans le contexte de la tradition...
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Sam n’ Ella, 60” X 72”, 2011, vinyl decal … Les modèles à bande / chèque et les couleurs de fonction officielle, mais sont aussi socialement omniprésent. Le processus est précis et méthodique, mais les compositions sont difficiles et non résolus. Les peintures sont dans un sens...
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NESTED FORMS 1...acrylic on shaped plexiglas...approx. 9" x 10"...2009 I characterize my paintings as spatial images. Space is the lens through which I best visualize the contemporary moment. Even more, it is how I make sense of my own biography, having grown up in decidedly non-urban spaces of...
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NESTED FORMS 3..acrylic on shaped plexiglas...approx. 18" x 10"...2010 Having since migrated to the most extensively built-up region of the continent, I have become interested in the derivative spaces of thoroughly constructed environments. My paintings attend to the spatial consequences of the...
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NESTED FORMS 8..acrylic on shaped plexiglas...approx. 13" x 13"...2011 www.stevenbaris.com
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Work in evolution: 9 triptych, acryl on carboard 3x 7x14 cm and Falls working in plastic bags, april 2011 The "Tiny Cut Paintings" follow the " Engraved Monochromes " resuming the use and implementation of the same principles to hold a more intimist dialogue with the supporting cardboard....
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Détail: triptych, 2011 acrylic on cardboard, 14 x 7 x 3 cm
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Détail: falls working in plastic bags, 2011
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I utilize various media practices & I am always looking for material based objects that define and perpetuate an image, invites a painted surface, and uses a level of visual information that comes from something else. By bringing in an element that I did not make from my interaction with the world,...
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My color sensibility is informed by my preoccupation with paint and I often layer color to build depth and luminosity or utilize the local color of an object or material so that it has the presence of paint. Every work must have intimate mark-making, vibrate dimensionally and depict something...
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