My color sensibility is informed by my preoccupation with paint and I often layer color to build depth and luminosity or utilize the local color of an object or material so that it has the presence of paint. Every work must have intimate mark-making, vibrate dimensionally and depict something ephemeral as if trying to touch the air. I am interested in the by product of the work not being physical in the same way that the essence (or remnants) of our most profound exchanges are not physical.
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